From The House of Edward

Rydal Mount

Come with me.....

It is an enthusiastic Virginia Creeper that encircles the house like a necklace of fire, its royal gemstones of flaming leaves set aglow by the crystal clear September sun. Though inside all is still, and hushed, one can yet sense the vivacity of ideas that once played through these rooms. Was it not just yesterday? It seems as though the great poet himself has only just retreated to the garden, jealous of his privacy.

Shadows waltz at the peak of the house, where his study shimmers in the gold of the afternoon. A gathering of bluebottles convenes on the wide windowsill, arranging and rearranging themselves like floating calligraphy; mere ghosts of the letters he once captured to paint his exalted stanzas of light. They beat against the glass in their desire to be released - to fly past the garden, over the lake and out into the world once more.

Peace floats on the very breeze that wends its way through his garden - one follows it down shaded pathways, past romantic vistas of green and blue, to the tiny stone Summer House where an ever open window frames an unequaled view of Eden. One can only imagine the courage it took to create verses of beauty in the presence of such abounding competition from Nature herself. Artists both, perhaps they chose to work in tandem, Nature’s splendour inspiring the words that served to describe Nature’s splendour, each one magnifying the magnificence of the other, each one enriching the bounty of the known world.

“Poetry is the spontaneous overflow of powerful feelings:
it takes its origin from emotion recollected in tranquility”
William Wordsworth

My late afternoon view from the Summer House window
at Rydal Mount, Cumbria
Home of poet William Wordsworth

Painting above: View From Rydal Park, by Francis Towne