The True Herald of Spring

He was the legendary harbinger of Springtime. everything a Robin should be, sitting fat and cocky atop my back garden gate, fully aware of his beauty as he turned his perfect head this way and that as if to give God Himself the opportunity to appreciate him in his best light. Impressive, yes.... a handsome creature to be sure, but alas, he could tell me nothing.

I look up, up and notice how the ancient oaks and poplars now appear pale-green, dandelion-fuzzy in the penthouse levels of their skyscraper dizziness. I have seen the smiling saffron faces of the daffodils as they wave to me each morning when I tie back the lace curtains over the windowseat. I have even spied a bunny in the moonlight. But delightful as they are, and try as they might, they have no real news to give.

The Arthur Rackham calendar on my office wall quite confidently declares that Spring will arrive during the month that begins tomorrow, but it is laughable to believe it. For the seasons pay no heed to the calendars of men; give no credence to his schedules or his expectations. They run a celestial relay all their own, handing over armloads of lovely hours to their successors when they alone decide the time is right. It is pure folly to think it will be on the same day each year.

One must watch carefully, must always pay attention, for the true herald of Spring is found in neither flora nor fauna but rather in a certain ephemeral, almost invisible, quality of light. It can appear on the coldest hour of a March afternoon, or as late as an April dawn, but if one is watching closely, one will see. The sharpness of the clean winter light will have melted round the edges, become more watery somehow, more suitable for the quiet illumination of a rose. Then and only then will Spring be here.

I once returned in April from a ten day trip out of the country. As I sat down my bags and walked into the kitchen, I could see it clearly. The light had changed. It was a languid light now that floated through the house like an etude, no longer the crisp light of Winter that had pierced my windowpanes just the week before. Spring had arrived and I had missed it. I resolved to never let that happen again.
So, I am watching.
Are you?

A Light exists in spring
Not present on the year
At any other period.
When March is scarcely here

A color stands abroad
On solitary hills
That silence cannot overtake,
But human nature feels.

It waits upon the lawn;
It shows the furthest tree
Upon the furthest slope we know;
It almost speaks to me.

Then, as horizons step,
Or noons report away,
Without the formula of sound,
It passes, and we stay:

A quality of loss
Affecting our content,
As trade had suddenly encroached
Upon a sacrament.

Emily Dickinson

Painting: Spring, 1913
by Eric Harald Macbeth Robertson

New Inventions

Over the past week I have received three emails from friends who have just lost their jobs. Serious jobs, too, jobs that seemed secure. Being self-employed, I suppose I cannot really lose my job - I sort of am my job. But when those who once hired me are now contacting me for leads themselves, I know something troublesome is afoot. While I am truly encouraged to see the way our new president has grasped hold of the reins of this runaway coach, I know it will take a while to pull it up to a comfortable pace for all the rattled passengers inside. Indeed, even when this downhill ride has reached level ground, the economic landscape seen outside the windows might look a bit unfamiliar to us all.

All this has led me to think about reinvention. I was speaking to a friend a couple of weeks ago, a woman full of optimism and industry who thinks this is the perfect time to start a new career, to take a chance on an idea that might have been simmering on the back burner of one’s mind for ages. Her enthusiasm was infectious. It made me think anew of the old adage, “necessity is the mother of invention”. Perhaps, for some of us, this financially fitful time represents the impetus we have waited for. Too many people of my acquaintance work away everyday at jobs they truly despise. They look wistfully at the Songwriter and myself and say if only they could get up every morning and love what they do. Of course, we hasten to tell them that self-employment is quite often far from a bed of roses, but they are difficult to convince. Perhaps this current situation, though worrisome and rocky, may serve as a bit of a reshuffling of ideas and goals, of priorities and dreams. Perhaps, just perhaps, there are people like my friend, who will see this time as the fabled fork in the road they have longed for, a magic moment to reinvent their lives, to create a new venture, to realize a long held dream.

Invention, it must be humbly admitted,
does not consist of creating out of void, but out of chaos”
Mary Shelley

The Alchemist

Watching the Academy Awards is a tradition for me. Popcorn, comfy pajamas, fire in the fireplace....all the necessary accoutrements for a long and entertaining evening. I usually make an attempt to catch most of the nominated films, but this year I fell woefully behind and shall try to catch up over the next couple of weeks. One I did see, however, and found to be amazing, was Doubt. Engrossing, with blistering authenticity and truth, it contained four peerless performances. Of course, I am unabashedly a fan of Meryl Streep.

I well remember being in Paris in 1981, walking down the street past a newsstand and seeing her on the cover of Time magazine. It was a winsome photograph, but I don’t know why it stands out in my memory. Funny, but I can still see the sunlight that dappled the road that day. I have followed her through the years from a farm in Africa, to a hilly seaside town in Greece, from Auschwitz to Oklahoma, Lyme Regis to Madison County, from a courtroom in Australia to an editor’s desk in New York City. She possesses the ability to create another person so completely one would expect even her fingerprints to have changed in the process. She brings people to life in such a transcendent fashion as to give one a real glimpse into the inner workings of other minds, other souls. In doing so, she enables us to understand our collective humanity just a wee bit better.
How does that happen? I am grateful for the mystery. I don’t want to know the secret to how it’s done. I am just grateful Meryl Streep does it.

Pure Magic

I sat in traffic on a rainy day, absorbed in browsing through my treasured album of mental pictures, searching wistfully for a fair and carefree place, a moment in time or imagination to pluck from my memory and disappear inside, far away from the gloom of the unfolding afternoon. Lost in thought and miles away, I slowly turned to my left and... I saw him. Standing alone in the middle of the asphalt ocean of a bleakly empty car park, like a perfect pearl pendant on a cashmere grey sweater. A Seagull. Hundreds of miles from the sea. As astonishing a sight as a kelpie in the supermarket or a unicorn on Main Street. He calmly held my gaze for a moment or two before stretching out his grey white wings, lifting up in the air and flying away through the mist. I watched him go in open-mouthed amazement. No one else seemed to notice and I wondered for a moment if indeed, only I had seen him, if he had popped through some enchanted portal as a feathered epistle, a reminder to me alone. If so, I am grateful he took the time. For the sight of him was a lovely gesture and served as an admonishment to me to always remember the pure magic that is in floating about in the world for those with eyes to see, that even though a dismal rain may be falling all around, somewhere a warm wind is blowing and sea gulls are calling out to each other over glittering blue- green waters.
How could I have allowed the gloom of the day to overtake me?

A Favourite Chair

This photo is on my desk at all times, within an easy gaze of my eye. To me it is a therapeutic talisman. When I am on the phone, or with my head bent over a particularly exacting piece of work, it is such the welcome distraction and certain antidote to any stressful emotion I could possibly conjure forth. I simply stop, put down my work, and stare. Slowly, softly, I begin to remember the smell of the moist, salty air rising up the hill from the sea, on the wind I hear the bleating of the ewes just past the fence and I sit down for a moment in that little chair, tilt back my head and let the sun shine its golden light onto my face while that remarkable wind blows every care I could ever have far, far away. If I have the time, I just might venture inside. Oh, I know the magical interior of this modest stone building isn’t visible in the photograph, but it is there in technicolour in my memory. Like walking inside a fluffy kaleidoscope, I see the wooden shelves, floor to ceiling, stuffed with rainbows and colour wheels of hand-dyed yarns. The sheep outside have a distinct right to sing out loudly, for it is their own wool that helps to supply this wonderland, wool whose colours are dyed from the flowers and herbs that grow along the old wooden fence. I have knitted a scarf or two from these fabulous yarns, but this past autumn I decided to add a few more arrows to my quiver and enrolled in a couple of serious, no fooling around knitting classes. Two of them. It had been one of those annual resolutions that never seemed to get done, until this year, and what a grand time I’ve been having. Who knew knitting was so much fun? I now find myself looking forward to evenings spent by the fire with needles ablaze. So the next time I walk through this magic little door I will be ready for much grander things.
And believe me, I cannot wait for the next time.

Shilasdair
Waternish, Isle of Skye

On A Night Last Week

Was I really supposed to sleep? With a moon like that one dangling up in the sky above my window? A moon that sang out to me in a silver aria from behind a wispy veil of winter cloud that draped across its face like the tissue-thin lampshade of a glowing Chinese lantern. This moon lantern that radiated a cool light, that illuminated every surface of my room as if midday in a ghostly story of old. Was I really supposed to pull the covers up under my chin, fold my hands, close my eyes? Not to get up and sit in the window seat to watch? If so, I should have missed seeing the shadows dance a graceful ballet around the poplar trees. Missed hearing the mockingbird as he eerily sang half a stanza of his favourite tune before realizing he’d been fooled by this trickster of a moon into believing the dawn had come early. I would not have noticed the cavernous quiet that dwelt underneath this abalone moon, an absence of sound found only deep inside the dead of a moonlit night. Oh no, I had to be a witness to this moon this night. Had to sit enraptured beneath his gaze and confide a few tiny secrets to him alone, and eventually to drift away to sleep, grateful he was keeping watch.

In all of spangled space, but I
To stare moon-struck into the sky;
Of billion beings I alone
To praise the Moon as still as stone.

And seal a bond between us two,
Closer than mortal ever knew;
For as mute masses I intone
The Moon is mine and mine alone.

From the poem Moon-Lover by Robert Service

"Love.....
If you have it, you don't need to have anything else.
And if you don't have it, it doesn't matter much what else you have."
J.M. Barrie

"Ain't it the truth!"
Edward


Happy Valentine's Day to All!!

Designing Thoughts

I have an unabashed love of exuberant rooms; those creative and colourful interiors that speak such engrossing volumes about the individuals who live within them. To me, there is nothing more enticing than a home filled to pop with books, collections, patterns, textures, antiques, paintings, flowers and dogs... rooms artfully arranged - a bit dramatic, and eminently comfortable. The English Country House style, although admittedly fictionalized a bit, has always made my heart sing and it is a style certainly reflected in my own home. This of course does not mean that I cannot appreciate other avenues and other approaches to design. Indeed, one of the more enjoyable challenges of my profession are the projects that require a jump or two outside my personal taste and total immersion in another. I have created many varied interiors for my clients, from all white romantic country to sleek sophisticated urban, but no one could ever call me a minimalist. The straight lines and stark colours of the minimalist style leave me a bit chilled. It appears I have a kindred spirit in the British furniture designer, Mark Wilkinson. Known best for his gorgeous kitchens, Mr. Wilkinson has a rollicking interview in the latest issue of The English Home; an interview that left me nodding and chuckling a bit. Here is his quote on the reason why he is not a fan of minimalism. While I would not express myself quite as stridently as he on the subject - especially in that first sentence - I do think he has a wonderful philosophy on the importance of interior design as the vital art form that I feel it is.

“...Minimalism is a kind of emotional bankruptcy...a refuge for those who do not understand the grammar of ornamentation or the symbolism of colour. I can see and make an argument for design being the most profound and enlightening of art forms. A play or piece of literature by Shakespeare is very effective, a painting by Monet or Van Gogh especially is shudderingly expressive, a piece of music by Rachmaninoff, by Elgar, by John Lee Hooker, whomever, can be very effective, but you don’t live with the piece of music playing in your ear. The voice of design is softer. It doesn’t have the same volume of other artistic mediums but it is all-powerful and all-persuasive by virtue of the fact that it is there subliminally all the time that your eyes are open. If we put people in surroundings of wonder, they express that sense of wonder, of beauty, of joy and that’s what you should be doing with design. Why create an environment that says, “I’m not here to look nice cluttered.” I want to walk into an environment that says, “hello mate, been working hard all day? Take off your shoes, that’s ok...”

The photo above is of the famed Yellow Room of Nancy Lancaster and is often referenced as the definitive example of English Country House Style.

A Warm Day

It was a gift unexpected, but a gift to be sure. It arrived on our doorstep unwrapped but so welcome that, to our eyes, it appeared swathed in a gossamer silk, festooned with a garland of pearl. After the four coldest days of the winter, a tiny, sweet gift of Spring. Adorned with a cloudless azure sky , it was warm and still - a hint, a mere glimmer, of May. No matter our plans for the day, it was a gift we could not wait to open, for who knew when it would come again? We threw down the usual and made for the trees, where we spent the afternoon roaming though forests and meadows still deep in their winter sleep, still robed in cloaks of muted grey, for they were wise enough to know this gift was only meant for one day. The winter air which had only yesterday slapped our cheeks with icy fingers, now floated placidly round us as we walked, too tame to trouble even the tiniest leaf left on the tiniest tree. There were no flowers, no green, no fragrance of Spring, and the light that sliced through the bare oaks all around us still bore the sharp slant of a February sun. No matter. For just when we had begun to think that Mother Nature had abandoned colour and warmth for good, she bestowed a gift of a few warm winter hours to let us know that, no, she has not forgotten Spring. Her gift was but a sweet reminder that no matter how frozen the world around us might appear, warm days will soon arrive. So, we ran and we ran, and Edward was difficult to hold back as he tugged at his lead in excitement and pulled me along through the fair afternoon.
It was a delightful gift, and how happy were we to open it.

I wonder if the sap is stirring yet,
If wintry birds are dreaming of a mate,
If frozen snowdrops feel as yet the sun
And crocus fires are kindling one by one:
Sing robin, sing:
I still am sore in doubt concerning Spring.

Christina Rossetti

Crystal Clear Memories

A client once told me that I had “a photogenic memory”. This declaration was made funnier by the fact that she was totally unaware of her slip of the tongue. I do possess, I suppose, I bit of a photographic memory, which makes me a bit wary of the things I choose to watch or read. For instance, gossipy television shows can be a nightmare. Who wants to remember the hangdog hearthrob some obscure starlet was pining over months, even years, after the fact? Old bank account numbers, old phone numbers, long discontinued fabric patterns and paint colours... these are rooted in my head like English Ivy, despite my fervent wish that they vacate to make room for higher cogitation. But memory is one thing impossible for me to harness with any degree of success. Indeed, I often ponder the crystal clear memories I have of places that do not exist at all. Let me explain.

For me, one of the most enjoyable aspects of a much longed for holiday is found in the anticipation before the fact. Given my ardent love of houses, where we choose to stay is a seriously vital part of any trip we plan. The time I spend reading and considering the history, the location and decor, of a particular country house or inn is incredibly fun. When I finally light on my choice, and make my reservation, I can “see” the place in my head... down to the last detail of the bouillon fringe on a curtain pelmet or the muted pattern in an inherited Aubusson. I can follow the path of the early morning light as it falls through the diamond patterned windows in my bedroom, see the delicate blush on the loosely arranged garden roses in the blue majolica vase atop the piecrust table - I can hear the tune the wind plays as it breezes through the ancient elms that line the winding drive. The only thing is... these enchanted places do not exist. They are figments, technicolour and photographically detailed to be sure, but pure imaginings created in the paisley patterned maze of my own mind.

Happily, when the anticipation is over and the date of my departure finally rolls around, I arrive at these longed for destinations to find that their realities rarely pale in comparison to my dreamed up versions. I am always quite happy with what I find existing here in the real world. But, funnily enough, my conjured rooms and hallways, my imagined gardens and green-tinged aspects, still remain; vividly so. I can call them to mind at will, even now, like the faces of old friends. This causes me to wonder if, someday, on some other side of a veil, I might, just perhaps, visit one of these places. Perchance, I may one day stroll over a pink-hued hill and gaze down upon a familiar view. It is possible that I may enter through an oft-seen stone archway, climb a well-remembered stair and follow a known hallway into a room I call my very own. And I just might stay awhile. Who knows?

“I shut my eyes in order to see.”
Paul Gauguin

King Winter

From the coldest caverns and the bleakest hills he has summoned them. They have journeyed from the twelfth month through the first and finally they are all assembled, ready to do his bidding. At the King’s midnight signal, they shall advance unchallenged across the landscape, warriors older than time, shouldering weapons tried and true; weapons that never fail to hit their mark. Ice and snow and freezing rain, with artillery fashioned to make moods fall as low as temperatures, trailing melancholy and lethargy in their wake. Knowing this to be his last stand, King Winter enters into no mere frigid skirmish. Oh no, this is his February; this is his war. We know it is useless to fight, for we have lived through this before. So, snug in our wool and our fleece, we hunker down, with our beaks under our wings, and we wait. Well supplied, secure in our hope and our imagination, we know we can hold out for the twenty eight day siege, even longer if need be. For soon, we remember too well to doubt, the cavalry shall come. Little green troops of Spring shall awaken - a bit here, a bit there - until whole verdant armies appear on the hillsides and swarm through the valleys, warming and lightening both our spirits and our skies, and driving King Winter into exile once more.
Oh yes, we can wait. We are ready.

Outside

King Winter sat in his Hall one day,
And he said to himself, said he,
“I must admit I’ve had some fun,
I’ve chilled the Earth and cooled the Sun,
And not a flower or tree
But wishes that my reign were done,
And as long as Time and Tide shall run,
I’ll go on making everyone
As cold as cold can be.”

There came a knock at the outer door:
“Who’s there?” King Winter cried;
“Open your Palace Gate,” said Spring
“For you can reign no more as King,
Nor longer here abide;
This message from the Sun I bring,
‘The trees are green, the birds do sing;
The hills with joy are echoing’:
So pray, Sir - step outside!”

Hugh Chesterman
19th Century

Painting by NC Wyeth

Midwinter Fog

We awoke to a veiled world, a world transformed by the silvery cloak of a midwinter fog that had wrapped itself around us in the silence of the dawn. Almost theatrical, as if handknit for sheer effect, it seemed but an ingenious set design crafted to hide life’s more ephemeral players; those rarely seen in sunlight, but much too timid for the dark. Pointillistic halos encircled the streetlamps, creating unblinking golden eyes that stared out in straightlined, ironbacked attention all the way up the slate grey hill. The old trees, with their bare black bones so completely enshrouded, found they had no more need of the children, but could now play hide and seek with one another instead, counting to one hundred in arcane, deep-voiced words of their own. Through the magic gauze of the morning, the big white dog moved about the garden like a Dickensian spectre, casting no shadow, making no sound, as he made his way through the mist, up the stairs and back inside the cozy house to his fat, paisley covered bed where, he was quite certain, mysterious mornings such as these were best spent.
And there he would wait for the sun to return.

Our Anniversary

Outside it was dead of winter, all grey blues, shadow, and chill. But past glowing windows that twinkled with whispered sonnets to the light of Arthurian candles - snow white, ruby red, and roses. So many roses. It was a beginning, a golden circle of serenity, certainty, grace, laughter. A moment in time that continues even today, to warm, to cheer - to shower more roses, even more, through winter shadows, with every passing year until all we know is beauty.
It was a winter wedding. And today we celebrate.


My heart is like a singing bird
Whose nest is in a water'd shoot;
My heart is like an apple tree
Whose boughs are bent with thick set fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these,
Because my love is come to me.

Raise me a daïs of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.

by Christina Rosetti

Milo

Edward has a deal with the Blue Jays. I cannot say when it was struck, nor how, but I am certain it exists. It seems the Blue Jays are forever on the lookout for Milo, the neighborhood cat - a cat in possession of a copious amount of chutzpah; a cat for whom boundaries hold no meaning, a cat who knows no fear. When Milo is spotted by the Blue Jay sentry on duty, the sentry immediately signals an alarm to his compatriots in other outposts of tree and limb. They all proceed to convene within our old magnolia tree, like a squawking blue-uniformed battalion. I have become convinced they are merely shouting the name of Edward in Blue Jay-ese. For whatever he is doing, wherever he happens to be - napping in his spot under the piano or exploring the furthermost points of the far back garden - Edward comes dashing. Running the gauntlet twixt table, chair and lamp, sliding across the hardwood floors, like an armored bear of old, he leaps into the chair by the window to let loose his most threatening, ear-splitting bark - a sound designed to strike terror in the heart of any self-respecting feline. Any feline that is, but Milo. For Milo, impassively lounging atop the dining table that sits outside under the magnolia tree, is calmly waiting for any feathered bit of blue that happens to lose its footing from one of the limbs above, and cares not a whit for anything Edward happens to say. Naturally, this nonchalance infuriates Edward all the more and the cycle of Blue Jay squawks and ferocious barks will continue unabated until either the Songwriter or I takes it upon ourselves to venture out and remind Milo of the nature of things. Milo will saunter off eventually, with head held high, his bottlebrush tail a furry flag of dignity, utterly convinced it was his own idea to leave in the first place, as if reminded only that he has an appointment elsewhere. Edward goes for a drink of water to settle his nerves, and soon, one by one, all the tiny bits of blue leave the big tree winter-green once more.
Until the next time Milo happens to visit.

Elgol

I wrote her a long letter today and remembered....

“You really should go down to the bottom of the hill before you leave”, she said. “I know you’re tired and you have a long drive back to the hotel, but it’s one of the most famous views in the country and you should see it”.

She was right, we were tired. Windblown, a bit damp, and now, following her most resplendent and generous gift of high tea, quite full and quite sleepy. The day was fast departing. Already the sky colours were deepening, moody grey clouds were boiling up across the horizon, and we never liked to travel the narrow road around the sea loch in darkness, always being too afraid we’d accidentally hit one of the sheep who preferred to doze just a wee bit too close to the side. But she seemed adamant - she of the gentle and soft-spoken spirit who never seemed adamant about anything - so we thought we should obey. Pulling out of the drive, we headed down the hill, unprepared for the steepness and sharpness of the curve ahead. Finally reaching the bottom we turned behind us to see a view straight out of literature, at once as forbidding as Mordor and as enchanted as Avalon. We looked around - no one else in sight. We could have been the only two people left on the planet. We could have been spirited backward a thousand years or more, perhaps invisible, mere spirits ourselves, with nothing real and solid on earth but those immortal black mountains rising above that churning black sea. Standing where we stood, with the howl of the sea wind in our ears, any scenario could have easily been imagined possible.

It wasn’t until many months later that I noticed the slight similarities between the photograph taken on that day and the Waterhouse painting shown above. Perhaps she had long ago warned him not to miss the view as well.

Oh, What A Beautiful Morning!

There’s a bright, golden haze on the meadow,
There’s a bright, golden haze on the meadow,
The corn is as high as an elephant’s eye,
And it looks like it’s climbing clear up to the sky.....

Oh, what a beautiful morning!
Oh, what a beautiful day!
I got a beautiful feeling,
Everything’s going my way.....


Lyric by Oscar Hammerstein II
Painting by Childe Hassam
Sentiments shared by Pamela and Edward!

Farewell

"I do an awful lot of thinking and dreaming about things in the past and the future - the timelessness of the rocks and the hills - all the people who have existed there. I prefer winter and fall, when you feel the bone structure in the landscape - the loneliness of it - the dead feeling of winter. Something waits beneath it; the whole story doesn’t show. I think anything like that - which is contemplative, silent, shows a person alone - people always feel is sad. Is it because we’ve lost the art of being alone?"

Andrew Wyeth
1917 - 2009

Surely You Jest

Last night I dreamed I gave up swimming for Lent. Now, before someone pauses in admiration of my saintliness, let me hasten to explain that I cannot swim. This dream of mine, therefore, caused a bit of entertainment over morning toast and clementines when I related it to the Songwriter, who wryly commented, ”Wow, what a sacrifice for you”. He is well-versed in irony. My parents tried to interest me in swimming with lessons which I truly dreaded like medicine. The sensation of being under water consistently failed to charm me, and no number of ear plugs or nose clips could ever elevate the experience to an enjoyable level. Needless to say, I did not excel in those lessons. However, as I suspected at the time, much like high school frog dissection, I have never once found swimming to be a necessary skill in my adult life. Decorators are not usually required to work in bathing suits and if they are, they should probably re-evaluate the project.

The only sport I have ever participated in willingly was riding. I did love that with a passion, but seriously suspect it had much more to do with the requisite close relationship with a horse than with my actual enjoyment of any sort of activity that could perhaps have been deemed athletic. No to softball, no to tennis, no gymnastics and no track. Football? Please. Bowling? In rental shoes? Golf? Surely you jest. Watch any of these things on television? What?..... Why? To tell the truth, I just never got the point of competitive sports. The only two sporting events I am ever even aware of during the year are The Kentucky Derby and The Iditirod. (To be honest, I did drive a dog sled team in Alaska once. In a frigid January, no less. And actually, I was quite good at that, but that is another story entirely.) I do walk and run and bike and hike, but that’s about it. Fortunately for me, The Songwriter and I share in this disinterest of the wide, wide world of sports, which makes for quite a happy little life. To best illustrate this, some years back, The Songwriter had one of his songs performed during the halftime show at the Super Bowl. True to form, we were totally unaware of the game and were actually returning home on a flight from Disney World, of all places, while it was played. When we arrived home, our phone was ringing like mad with friends from all over the country calling with congratulations. We had missed the whole thing.

So, all this is to say that, regardless of my dream, I do not think swearing off swimming will actually accomplish much for my soul during this season of Lent.
Why do I think it’s going to have to be chocolate?

Something Shiny

Years ago, my neighborhood was carved out of a forest. Nowadays its ancient oaks and leafy poplars provide a canopy over land that is paradise for wildlife of all sorts, and that includes the Crows. An almost sinister looking bird, the Crow is rarely spotted on his own, but usually descends upon the garden as a member of a loud and discordant flock. A rather gloomy congregation, they swoop and assemble in a winter-bare oak, filling the naked limbs like scores of blue black leaves, creating a haunted tree worthy of an Edward Gorey painting. Make a sudden movement at the window, and whoosh, these changeling leaves are blown upward, enmasse, into the blue sky like an angry storm cloud on its way to rain down on another garden a couple of streets away, leaving their momentary roost January bare once more.

Not long ago, I discovered that the Crows have more than a passing interest in my very own front garden. For down near the edge of the drive, there is a bed of green clover in which I keep a modest collection of glass blue stones. Like a tiny sea lapping the shores of Lilliput, this circle of glimmering blue glass is a delight to my eye each time I see it. And, apparently, the Crows share in that delight. You see, the Crow cannot spot anything shiny without wanting to possess it. He is, quite simply, the shopaholic of the avian world and my little glass ocean is completely irresistible to his sharply acquisitive eye. The daily walkers who stroll by my garden, those who no doubt once viewed my collection of blue with bemused curiosity, now find themselves participants in its care and maintenance. For the Crows steal the stones, and the walkers bring them back. I have been told that they are found all over the neighborhood, and the walkers seem to take a certain pleasure in finding one, pocketing it and returning it to its rightful place by the clover shoreline at the edge of my garden. I find this such a charming game played between bird and man. Both of them out in the fresh clean winter air, looking for something shiny.

Painting above by Arthur Rackham

Edward Looks At Rain

From the late afternoon on there had been something of a drenched, warm feeling to the early January air; an odd soddeness, expected at other times of the year, but most unusual for a winter month. The big white dog had noticed. He knew the rain was purported to be arriving as a dramatic escort to a much colder tomorrow, and for that he was glad. But, still. Rain. His least favourite sort of weather. No walk tonight. For even though his lady had received the black wellies she had asked for at Christmas, he knew she cared far too much for him to take him on an outing in the pouring rain. He would have to get his paws wet, and that was the one thing in life he really, really hated. He hopped up on the window seat to watch the skies and ponder the miserable sensation of wet paws.

The rain was preceded by chariots of wind that galloped through the tops of the tall trees at breakneck speed, occasionally reaching down to the garden floor with a gust that would vacuum up the leftover, paperthin leaves in a tornadic whirl of brown and grey. The big dog watched it all at the window and thought about his paws. Then finally, around midnight, just as they all were heading down the hallway to bed, it came. Rain. He could hear it... blitzing the roof above him, racing down the gutters, pounding its drowned wetness deep into the ground - ground that, tomorrow, he would have to trod on, walk through - ground that would probably get his paws wet. Bother. He sighed. But then his lady smiled and told him not to worry. She reminded him that being snug and dry inside on a stormy night was really a very good thing. Effortlessly, he leaped up to take his normal place atop the downy bed and laid his big white head on her feet as she opened another of those books of which she is so fond. He sighed again. He had to admit, the sound of the rain was pleasing. His large almond eyes felt so heavy, so he closed them. His lady patted his head and told him that the rain would be over before he awoke in the morning - that it would be a much colder, sunnier day tomorrow, and that he would love it, and they would go for a long afternoon walk and .... but he never heard her. He was asleep.

Edward sets off for his walk on the sunnier tomorrow

Painting above: The Thunderstorm by Vincent Van Gogh